Aubade
—Lachlan Chu
Aubade
On the other platform, a couple is fighting
over missing tickets. A train is coming.
A man is standing too close to the edge,
both feet on the yellow line, and nobody
will notice or say return. And everybody
anticipates the train by watching gravel
beneath its tracks, as if there might be,
this time, a rose, blushing from the rock.
It’s strange how this small station could
wait forever before that happens. Funny
how the smoking woman holds the joint
sideways, steam calligraphed like exhaust.
Soon, metal is clashing loud enough to
signal arrival, therefore departure. The
people move expectantly, still waiting
until they can't anymore. Someone gets up.
Someone sighs. Someone blinks.
The train does not slow. It passes through
us, the station, the wind sighing. Tell me
now, when the figures return to their origin,
why we remember each journey by the
length of its wait. There must be a place
to keep this. Something must come of how
the man steps back onto the yellow line,
closer to falling than before. How the
people’s eyes return to the tracks when
they have nowhere left to go. Tell me
our bodies remember this like they
remember wings. Like how our wings
remember the sky in blinks—
sun, feather, wax. It’s strange how we
have a name for the train that doesn’t
stop for us. Call it a bullet that doesn’t
kill. Funny how today, I survived
a bullet. Saying that living is a miracle.
That the train which clips the rose, petal
by petal, runs a world clean through
the chest and leaves a man alive.
On the other platform, a couple finds
their lost tickets beneath a red bench and
turns to the open wound of morning.