Modern Museum
—Miguel Barretto-García
Modern Museum
The cabinet is a room of curiosities:
A microscope, an Erlenmeyer flask, a body
That used to be a bird, a body that used to be
A boy. A giant turtle. Vintage black dress. The glass
Separates the living from what used to be
And what used to be living gather around
And gather dust. How curious for curiosity to be
Left on display. I perform experiments
Through thought. That is to say, I philosophize.
Not philosopher. My language wears a little
Black dress, singing to the river dressed
As the moon. I undress and speak plainly,
My vernacular is cursing. My language is
A curse, that I put a peso or five in a jar as if
To pay for a ticket to death. Never have I thought
That language poetry be so avant-garde. Simply
Weave the scrap patches left and make them
Sound. With a forked tongue, split lip, my nature
Is a cabinet of curiosities and a word
Is a room that would lead me to another room
The way I open the door and take a turn
Of phrase. A line
Break. A broken English, not my grammar or syntax
But the way English itself picks its nose
And navel gazes whilst asleep on a monsoon night
My grandma wakes to the naval canons
And airstrikes and each strike
Through on the page is skin scarred
In class when a mouth is measured through
Class. Accent is no more studded jewel
To a dress, but thick
Walls of a border crossing, separating living
From the passport holder defumigated for lice
But how delicious: to taste the sweet
Unintelligible songs the cicadas chirp and chip
The wood to reveal the coffins
Of hanging fruit, waiting for a mouth to savour
Syllable. At the botanical gardens, a generous
Display of pineapples, dragon fruit, urchin
Rambutan, spiky durian labelled
Exotic, just like the living they let to live
In a village in the cruellest month of April.
About
MIGUEL BARRETTO-GARCÍA's poems have appeared in The Margins: Asian American Writer's Workshop, Poetry Northwest, Palette Poetry, wildness, Rattle, among others. Their manuscripts were finalist in the Gaudy Boy Poetry Book Prize and The Palette Chapbook Prize. They've also received an honourable mention for the Hawker Prize for Southeast Asian Poetry. They currently live in St. Louis, Missouri.