
Attachment Theory
—Nina C. Peláez
Attachment Theory
I emerged from tidy rows. Mouth sticking clear with juice.
No sign of the rusted old blue Buick. No parents,
nor cousins carrying cheerful totes bulging with their pickings.
Not all stories end this way: my mother realizing her oversight,
hurrying teary-eyed to harvest me from where I waited,
apple in hand, crushing cyanide and sugar tucked inside each seed
between my teeth, convinced they weren’t coming back. Of course
I thought that. A child’s fear predictable as an orchard in the autumn.
Some things, just easy to forget. Back home, I was unscathed, they'd say:
a stomach ache and nothing more. But it wasn’t the first time I’d been left.
Years later, a therapist will say: children relinquished early on relive
the memory of that loss. I am that child. Standing alone in a field,
the road stretching empty, flies snapping ankles, unseasonable September
sweating my neck. And the latent loss, seeping out. Sweet as poison from a pip.
About
NINA C. PELÁEZ is a poet, essayist, educator & cultural producer interested in themes of displacement, diaspora, ecology, and resilience. Her writing appears in journals including The Iowa Review, Narrative, Prairie Schooner, Electric Literature, Pleiades, Rattle, RHINO, swamp pink, & Willow Springs and has been supported by Tin House, Yaddo, The Association of Writers & Writing Programs, Hudson Valley Writers Center, and Key West Literary Seminars. She is the recent recipient of the Gwenn A. Nusbaum Scholarship, a Barbara Deming Memorial Scholarship, and Radar’s Coniston Prize. She is a Tin House Reading Fellow, mentors for The Adroit Journal, and is Associate Director of The Merwin Conservancy. She holds an MFA from Bennington Writing Seminars where she was a 2025 Alumni Teaching Fellow.